{"id":21407,"date":"2013-12-12T00:16:03","date_gmt":"2013-12-12T08:16:03","guid":{"rendered":"https:\/\/dvan.org\/?p=21407"},"modified":"2018-10-14T21:59:48","modified_gmt":"2018-10-15T04:59:48","slug":"anvi-hoang-lam-nghe-thuat-nhu-thanh-hai-making-art-in-hue","status":"publish","type":"post","link":"https:\/\/dvan.org\/2013\/12\/anvi-hoang-lam-nghe-thuat-nhu-thanh-hai-making-art-in-hue\/","title":{"rendered":"Anvi Ho\u00e0ng: L\u00e0m ngh\u1ec7 thu\u1eadt nh\u01b0 Thanh-H\u1ea3i making art in Hu\u1ebf"},"content":{"rendered":"

If you are familiar with Nh\u00e0 S\u00e0n Studio in H\u00e0 N\u1ed9i or S\u00e0n Art in S\u00e0i G\u00f2n, don\u2019t miss out on the New Space art foundation in Hu\u1ebf. Two prominent Hu\u1ebf artists well-known in Vietnam and founders of New Space share their story here. It could be seen as an update on the art atmosphere in Vi\u1ec7t Nam, or rather another voice from Hu\u1ebf, depending on where you stand. Scroll down for the English version that follows the Vietnamese one.<\/em><\/p>\n

N\u1ebfu b\u1ea1n \u0111\u00e3 bi\u1ebft Nh\u00e0 S\u00e0n Studio \u1edf H\u00e0 N\u1ed9i v\u00e0 S\u00e0n Art \u1edf S\u00e0i G\u00f2n, \u0111\u1eebng b\u1ecf qua Trung T\u00e2m Ngh\u1ec7 Thu\u1eadt New Space Arts Foundation \u1edf Hu\u1ebf. Hai ngh\u1ec7 s\u0129 Hu\u1ebf c\u00f3 ti\u1ebfng t\u1ea1i Vi\u1ec7t Nam v\u00e0 c\u0169ng l\u00e0 ng\u01b0\u1eddi s\u00e1ng l\u1eadp ra trung t\u00e2m chia s\u1ebb c\u00e2u chuy\u1ec7n c\u1ee7a h\u1ecd nh\u01b0 sau. C\u00f3 th\u1ec3 xem nh\u01b0 h\u1ecd n\u00f3i v\u1ec1 m\u00f4i tr\u01b0\u1eddng ngh\u1ec7 thu\u1eadt hi\u1ec7n t\u1ea1i \u1edf Vi\u1ec7t Nam, ho\u1eb7c l\u00e0 m\u1ed9t quan \u0111i\u1ec3m kh\u00e1c v\u1ec1 v\u1ea5n \u0111\u1ec1 l\u00e0m ngh\u1ec7 thu\u1eadt c\u1ee7a nh\u1eefng ngh\u1ec7 s\u0129 \u1edf Hu\u1ebf n\u00e0y \u2013 t\u00f9y theo quan \u0111i\u1ec3m c\u1ee7a ch\u00ednh b\u1ea1n ra sao. B\u00e0i ti\u1ebfng Anh theo sau b\u00e0i ti\u1ebfng Vi\u1ec7t.<\/p>\n

Have you subscribed to diaCRITICS yet? Subscribe and win prizes!<\/em>\u00a0<\/i>Read more details.<\/i><\/a><\/i><\/p>\n

\"thanh<\/a>
T\u00e1c ph\u1ea9m s\u1eafp \u0111\u1eb7t Ch\u00e9n V\u00e0 \u0110\u0169a \u201c1945″, ho\u00e0n th\u00e0nh n\u0103m 2011. \u00a9 NSAF.
Still from \u201cBowls and chopsticks \u20181945\u2019\u201d (2011), installation art. \u00a9 NSAF.<\/figcaption><\/figure>\n

L\u00e0m ngh\u1ec7 thu\u1eadt nh\u01b0 Thanh-H\u1ea3i\u00a0<\/b><\/p>\n

Ch\u1ec9 nh\u00ecn th\u1ea5y Thanh-H\u1ea3i, nhi\u1ec1u ng\u01b0\u1eddi Vi\u1ec7t Nam c\u00f3 th\u1ec3 \u0111o\u00e1n ngay h\u1ecd l\u00e0 ngh\u1ec7 s\u0129. T\u1ea1i v\u00ec h\u1ecd nh\u00ecn \u201cgi\u1ed1ng ngh\u1ec7 s\u0129\u201d l\u1eafm! T\u1eeb c\u00e1ch \u0103n m\u1eb7c cho \u0111\u1ebfn \u0111i\u1ec7u b\u1ed9 n\u00f3i n\u0103ng, h\u1ecd b\u1ed9c l\u1ed9 c\u00e1 t\u00ednh r\u1ea5t m\u1ea1nh. Gi\u1ecdng n\u00f3i to, n\u00f3i r\u1ea5t nhanh, n\u00f3i chuy\u1ec7n v\u00f4 c\u00f9ng th\u1eb3ng th\u1eafn, \u00fd ki\u1ebfn m\u1ea1nh m\u1ebd. Sau 30 ph\u00fat n\u00f3i chuy\u1ec7n v\u1edbi h\u1ecd, ng\u01b0\u1eddi ta ch\u1ec9 c\u00f3 th\u1ec3 n\u00f3i: m\u1ed9t l\u00e0 \u2018gh\u00e9t\u2019 h\u1ecd, hai l\u00e0 th\u00edch h\u1ecd. Nh\u1eefng ng\u01b0\u1eddi tr\u1ebb tu\u1ed5i th\u00e0nh c\u00f4ng c\u00f3 c\u00e1 t\u00ednh m\u1ea1nh th\u01b0\u1eddng khi t\u1ea1o ra c\u1ea3m gi\u00e1c \u201cx\u1ea5c\u201d nh\u01b0 th\u1ebf cho ng\u01b0\u1eddi \u0111\u1ed1i m\u1eb7t. Nh\u01b0ng c\u00f3 th\u00edch hay gh\u00e9t h\u1ecd th\u00ec c\u0169ng kh\u00f4ng th\u1ec3 ch\u1ed1i b\u1ecf nh\u1eefng \u0111i\u1ec1u sau \u0111\u00e2y.<\/p>\n

\u0110\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn nh\u01b0 l\u00e0 Anh em nh\u00e0 h\u1ecd L\u00ea, ho\u1eb7c m\u1ed9t s\u1ed1 b\u1ea1n b\u00e8 th\u00e2n quen g\u1ecdi h\u1ecd ng\u1eafn g\u1ecdn l\u00e0 Thanh-H\u1ea3i, hai anh em sinh \u0111\u00f4i n\u00e0y, L\u00ea Ng\u1ecdc Thanh v\u00e0 L\u00ea \u0110\u1ee9c H\u1ea3i, r\u1ea5t \u0111am m\u00ea ngh\u1ec7 thu\u1eadt. Thay v\u00ec c\u00f3 ti\u1ec1n th\u00ec mua xe x\u00e2y nh\u00e0, h\u1ecd \u0111\u1ed5 ti\u1ec1n v\u00e0o vi\u1ec7c th\u00e0nh l\u1eadp trung t\u00e2m ngh\u1ec7 thu\u1eadt \u1edf Hu\u1ebf. H\u1ecd s\u1eb5ng s\u00e0ng b\u00e1n \u0111\u1ea5t b\u00e1n nh\u00e0 \u0111\u1ec3 duy tr\u00ec trung t\u00e2m ngh\u1ec7 thu\u1eadt c\u1ee7a h\u1ecd. H\u1ecd l\u00e0m vi\u1ec7c c\u1eadt l\u1ef1c, kh\u00f4ng than th\u1edf. C\u00e1i ch\u00ednh l\u00e0 h\u1ecd kh\u00f4ng c\u00f3 \u0111\u1ee7 th\u1eddi gian \u0111\u1ec3 l\u00e0m nh\u1eefng chuy\u1ec7n mu\u1ed1n l\u00e0m, l\u1ea5y \u0111\u00e2u ra th\u1eddi gian m\u00e0 than v\u00e3n. Ng\u01b0\u1ee3c l\u1ea1i, c\u0169ng v\u00ec t\u00ednh h\u1ecd kh\u00f4ng th\u00edch than v\u00e3n, cho n\u00ean h\u1ecd d\u00e0nh th\u1eddi gian \u0111\u1ec3 l\u00e0m nhi\u1ec1u vi\u1ec7c h\u01a1n.<\/p>\n

Thanh-H\u1ea3i \u0111\u00e3 \u0111i n\u01b0\u1edbc ngo\u00e0i nhi\u1ec1u l\u1ea7n \u0111\u1ec3 tr\u01b0ng b\u00e0y, tr\u00ecnh di\u1ec5n t\u00e1c ph\u1ea9m ngh\u1ec7 thu\u1eadt c\u1ee7a m\u00ecnh: Th\u00e1i Lan, Nam H\u00e0n, Singapore, \u0110\u1ee9c, Ph\u00e1p v.v. V\u00e0 h\u1ecd \u0111\u00e3 h\u1ecdc \u0111\u01b0\u1ee3c nhi\u1ec1u chuy\u1ec7n hay. V\u00ec v\u1eady kh\u00f4ng ng\u1ea1c nhi\u00ean m\u00e0 Trung T\u00e2m Ngh\u1ec7 Thu\u1eadt New Space Arts (NSAF) do Thanh-H\u1ea3i th\u00e0nh l\u1eadp n\u0103m 2008 \u0111ang ph\u00e1t tri\u1ec3n r\u1ea5t t\u1ed1t. Trung t\u00e2m \u0111\u01b0\u1ee3c qu\u1ea3n l\u00fd theo m\u00f4 h\u00ecnh hi\u1ec7n \u0111\u1ea1i gi\u1ed1ng nh\u01b0 nh\u1eefng trung t\u00e2m ngh\u1ec7 thu\u1eadt kh\u00e1c (arts foundation) tr\u00ean th\u1ebf gi\u1edbi: h\u1ecd c\u00f3 ch\u01b0\u01a1ng tr\u00ecnh nhi\u1ec7m tr\u00fa (residency). Ngh\u1ec7 s\u0129 Vi\u1ec7t Nam ho\u1eb7c ngh\u1ec7 s\u0129 \u0111\u1ebfn t\u1eeb kh\u1eafp n\u01a1i tr\u00ean th\u1ebf gi\u1edbi \u0111\u1ec1u c\u00f3 th\u1ec3 n\u1ed9p \u0111\u01a1n \u0111\u0103ng k\u00fd tham gia ch\u01b0\u01a1ng tr\u00ecnh n\u00e0y.<\/p>\n

\"thanh<\/a>
Kh\u00f4ng gian cho ngh\u1ec7 s\u0129 nhi\u1ec7m tr\u00fa trong khu\u00f4n vi\u00ean 700m2 t\u1ea1i l\u00e0ng L\u1ea1i Th\u1ebf, Ph\u00fa Th\u01b0\u1ee3ng (c\u00e1ch c\u1ea7u Tr\u01b0\u1eddng Ti\u1ec1n 2,5 km). \u00a9 NSAF.
Artist residency at L\u1ea1i Th\u1ebf village, Ph\u00fa Th\u01b0\u1ee3ng (2.5km from Tr\u01b0\u1eddng Ti\u1ec1n bridge). \u00a9 NSAF.<\/figcaption><\/figure>\n

Theo Tr\u01b0\u01a1ng Thi\u1ec7n, m\u1ed9t ngh\u1ec7 s\u0129 \u0111\u01b0\u01a1ng \u0111\u1ea1i tr\u1ebb v\u00e0 gi\u1ea3ng vi\u00ean c\u1ee7a tr\u01b0\u1eddng \u0110\u1ea1i H\u1ecdc Hu\u1ebf, ng\u01b0\u1eddi th\u01b0\u1eddng xuy\u00ean tham gia v\u00e0o c\u00e1c ho\u1ea1t \u0111\u1ed9ng c\u1ee7a NSAF th\u00ec \u201ctrung t\u00e2m ngh\u1ec7 thu\u1eadt NSAF l\u00e0 m\u1ed9t m\u00f4i tr\u01b0\u1eddng gi\u00e1o d\u1ee5c t\u1ed1t. C\u00e1c s\u1ef1 ki\u1ec7n \u1edf \u0111\u00e2y \u0111\u1ec1u c\u00f3 nhi\u1ec1u sinh vi\u00ean tham gia. Th\u01b0\u1eddng kh\u00f3 c\u00f3 th\u1ec3 ti\u1ebfp c\u1eadn ngh\u1ec7 s\u0129 n\u01b0\u1edbc ngo\u00e0i. V\u00ec nh\u1eefng lo ng\u1ea1i v\u1ec1 ch\u00ednh tr\u1ecb ch\u1eb3ng h\u1ea1n, tr\u01b0\u1eddng \u0111\u1ea1i h\u1ecdc c\u00f3 th\u1ec3 t\u1eeb ch\u1ed1i m\u1ed9t m\u1ed1i giao l\u01b0u. Trong khi \u0111\u00f3, New Space Arts ho\u1ea1t \u0111\u1ed9ng t\u1ef1 do, c\u00e1c th\u1ee7 t\u1ee5c tr\u1edf n\u00ean d\u1ec5 d\u00e0ng h\u01a1n. Th\u00f4ng qua h\u1ecd, sinh vi\u00ean v\u00e0 ngh\u1ec7 s\u0129 Vi\u1ec7t Nam \u0111\u01b0\u1ee3c t\u1ef1 do ti\u1ebfp x\u00fac, trao \u0111\u1ed5i v\u1edbi ngh\u1ec7 s\u0129 n\u01b0\u1edbc ngo\u00e0i.\u201d<\/p>\n

\u0110\u1ebfn th\u1eddi \u0111i\u1ec3m n\u00e0y, ngu\u1ed3n t\u00e0i ch\u00ednh d\u00f9ng \u0111\u1ec3 duy tr\u00ec ho\u1ea1t \u0111\u1ed9ng c\u1ee7a trung t\u00e2m l\u00e0 ti\u1ec1n c\u1ee7a gia \u0111\u00ecnh Thanh-H\u1ea3i, c\u0169ng nh\u01b0 t\u1eeb ti\u1ec1n b\u00e1n t\u00e1c ph\u1ea9m c\u1ee7a h\u1ecd. H\u1ecd n\u00f3i r\u1eb1ng: \u201cKhi n\u00e0o h\u1ebft ti\u1ec1n, v\u1ee3 kh\u00f4ng cho l\u00e0m ngh\u1ec7 thu\u1eadt n\u1eefa th\u00ec \u0111\u00f3ng c\u1eeda trung t\u00e2m.\u201d L\u00e0 n\u00f3i \u0111\u00f9a hay n\u00f3i th\u1eadt? H\u00e3y \u0111\u1ecdc nh\u1eefng ph\u00e1t bi\u1ec3u d\u01b0\u1edbi \u0111\u00e2y c\u1ee7a h\u1ecd \u0111\u1ec3 th\u1ea5y c\u00e1ch h\u1ecd suy ngh\u0129 nh\u01b0 th\u1ebf n\u00e0o, r\u1ed3i c\u00e1c b\u1ea1n t\u1ef1 \u0111o\u00e1n xem.<\/p>\n

Trong l\u00fac tr\u00f2 chuy\u1ec7n, Thanh v\u00e0 H\u1ea3i th\u01b0\u1eddng hay n\u00f3i c\u00f9ng m\u1ed9t l\u00fac. Cho n\u00ean nh\u1eefng c\u00e2u tr\u1ea3 l\u1eddi d\u01b0\u1edbi \u0111\u00e2y \u0111\u01b0\u1ee3c xem l\u00e0 \u0111\u1ea1i di\u1ec7n cho c\u1ea3 hai.<\/p>\n

\"diacritics-donate_header_box_640x120\"<\/a><\/p>\n

Ngh\u1ec7 s\u0129 Vi\u1ec7t Nam mu\u1ed1n \u0111\u01b0\u1ee3c th\u1ebf gi\u1edbi c\u00f4ng nh\u1eadn th\u00ec c\u1ea7n nh\u1eefng g\u00ec?<\/b>\u00a0<\/b><\/p>\n

S\u1ee9c lao \u0111\u1ed9ng, t\u00e1c ph\u1ea9m. M\u1ed9t \u0111i\u1ec1u kh\u00f4ng t\u1ed1t b\u00e2y gi\u1edd v\u1ec1 ngh\u1ec7 s\u0129 Vi\u1ec7t Nam l\u00e0 h\u1ecd tr\u00f4ng \u0111\u1ee3i nhi\u1ec1u v\u00e0o t\u00e0i tr\u1ee3 \u0111\u1ec3 l\u00e0m t\u00e1c ph\u1ea9m. Ch\u00fang t\u00f4i l\u00e0m m\u1ea5y ch\u1ee5c t\u00e1c ph\u1ea9m r\u1ed3i, \u0111\u1ec1u l\u00e0 l\u1edbn c\u1ea3, nh\u01b0ng kh\u00f4ng ch\u1edd \u0111\u1ee3i xin ai ti\u1ec1n. Kh\u00f4ng nh\u1ea5t thi\u1ebft ph\u1ea3i c\u00f3 ti\u1ec1n m\u1edbi l\u00e0m \u0111\u01b0\u1ee3c t\u00e1c ph\u1ea9m. V\u00ed d\u1ee5 t\u00f4i \u0111ang l\u00e0m m\u1ed9t b\u1ed9 phim d\u00e0i 36 ti\u1ebfng. L\u00e0 chuy\u1ec7n kh\u00f4ng t\u01b0\u1edfng. Kh\u00f4ng th\u1ec3 c\u00f3 ti\u1ec1n l\u00e0 l\u00e0m \u0111\u01b0\u1ee3c chuy\u1ec7n n\u00e0y v\u00ec bi\u1ebft bao nhi\u00eau ti\u1ec1n m\u1edbi \u0111\u1ee7. Nh\u01b0ng t\u00f4i v\u1eabn l\u00e0m \u0111\u01b0\u1ee3c. T\u00f4i \u0111\u00e3 th\u1ef1c hi\u1ec7n \u0111\u01b0\u1ee3c tr\u00ean 20 ti\u1ebfng r\u1ed3i. Ng\u00e0y n\u00e0o t\u00f4i c\u0169ng l\u00e0m vi\u1ec7c, r\u1ed3i b\u1ea1n b\u00e8, ng\u01b0\u1eddi quen gi\u00fap. V\u1ea5n \u0111\u1ec1 ch\u00ednh l\u00e0 ph\u1ea3i l\u00e0m vi\u1ec7c, c\u00f3 ng\u00e0y t\u00f4i quay 60GB. Cho n\u00ean kh\u00f4ng ch\u1ec9 l\u00e0 ti\u1ec1n. Nhi\u1ec1u khi c\u00f3 ti\u1ec1n c\u0169ng kh\u00f4ng l\u00e0m \u0111\u01b0\u1ee3c chuy\u1ec7n.<\/p>\n

L\u00e0m ngh\u1ec7 s\u0129 kh\u00f4ng ph\u1ea3i d\u1ec5, ph\u1ea3i n\u1ed7 l\u1ef1c r\u1ea5t nhi\u1ec1u, ph\u1ea3i c\u00f3 th\u1eddi gian, ph\u1ea3i c\u00f3 l\u1ecbch s\u1eed. V\u00e0 \u0111\u1eebng ngh\u0129 r\u1eb1ng ph\u1ea3i c\u00f3 ti\u1ec1n, r\u1ed3i sau khi c\u00f3 ti\u1ec1n m\u1edbi l\u00e0m ngh\u1ec7 thu\u1eadt. \u0110\u00e2y l\u00e0 \u00fd t\u01b0\u1edfng vi\u1ec5n v\u00f4ng, v\u00ec ngh\u1ec7 thu\u1eadt m\u00ecnh kh\u00f4ng l\u00e0m th\u00ec n\u00f3 ch\u1ebft \u0111i. Ph\u1ea3i li\u00ean t\u1ee5c li\u00ean t\u1ee5c n\u1ed7 l\u1ef1c l\u00e0m. Ngo\u00e0i c\u00f4ng vi\u1ec7c ki\u1ebfm s\u1ed1ng, ph\u1ea3i c\u00f3 th\u1ec3 x\u00e2y d\u1ef1ng \u0111\u01b0\u1ee3c nh\u1eefng concept [kh\u00e1i ni\u1ec7m], c\u00f4ng vi\u1ec7c \u0111\u1ec3 l\u00e0m song song, \u0111\u1ec3 ki\u1ebfm ti\u1ec1n v\u00e0 l\u00e0m ngh\u1ec7 thu\u1eadt song song. V\u00ed d\u1ee5 Tr\u01b0\u01a1ng Thi\u1ec7n, c\u0169ng l\u00e0m ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i, l\u00e0m nh\u1eefng t\u00e1c ph\u1ea9m kh\u00f4ng \u0111\u1eaft ho\u1eb7c kh\u00f4ng t\u1ed1n ti\u1ec1n. N\u1ebfu ng\u01b0\u1eddi ngh\u1ec7 s\u0129 bi\u1ebft c\u00e1ch l\u00e0m vi\u1ec7c, c\u00e1i quan tr\u1ecdng kh\u00f4ng ph\u1ea3i l\u00e0 ti\u1ec1n.<\/p>\n

\"thanh<\/a>
T\u00e1c ph\u1ea9m video art “M\u00e0u \u0111\u1ecf” (2011), 3 canh m\u00e0u, 12 ph\u00fat. \u00a9 NSAF.
Still from \u201cRed\u201d (2001), 3-channel video, 12 minutes. \u00a9 NSAF.<\/figcaption><\/figure>\n

Kh\u00e1n gi\u1ea3 \u0111\u1ebfn v\u1edbi New Space Arts thay \u0111\u1ed5i nh\u01b0 th\u1ebf n\u00e0o t\u1eeb 2008 \u0111\u1ebfn nay?<\/b>\u00a0<\/b><\/p>\n

C\u00e0ng ng\u00e0y c\u00e0ng nhi\u1ec1u ng\u01b0\u1eddi \u0111\u1ebfn. Ng\u01b0\u1eddi Hu\u1ebf r\u1ea5t y\u00eau ngh\u1ec7 thu\u1eadt, nh\u01b0ng ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i nh\u01b0 video, tr\u00ecnh di\u1ec5n (performance), s\u1eafp \u0111\u1eb7t (installation) kh\u00e1n gi\u1ea3 \u00edt th\u00edch. Th\u1ec9nh tho\u1ea3ng ch\u00fang t\u00f4i t\u1ed5 ch\u1ee9c \u0111\u00eam th\u01a1, \u0111\u00eam nh\u1ea1c, gi\u1edbi thi\u1ec7u s\u00e1ch m\u1edbi. NSAF r\u1ea5t \u0111a ng\u00e0nh ngh\u1ec1, c\u00e1i g\u00ec c\u0169ng c\u00f3 trong ch\u01b0\u01a1ng tr\u00ecnh s\u1ef1 ki\u1ec7n. Nh\u1eefng ho\u1ea1t \u0111\u1ed9ng v\u1ec1 v\u0103n h\u00f3a l\u00e0m thay \u0111\u1ed5i x\u00e3 h\u1ed9i ch\u00fang t\u00f4i \u0111\u1ec1u l\u00e0m, kh\u00f4ng nh\u1ea5t thi\u1ebft ph\u1ea3i l\u1ef1a ch\u1ecdn ngh\u1ec7 thu\u1eadt cao. T\u1ea5t nhi\u00ean ch\u1ea5t l\u01b0\u1ee3ng t\u00e1c ph\u1ea9m ph\u1ea3i t\u1ed1t th\u00ec ch\u00fang t\u00f4i s\u1eb5n s\u00e0ng t\u00e0i tr\u1ee3 \u0111\u1ec3 bu\u1ed5i gi\u1edbi thi\u1ec7u th\u00e0nh c\u00f4ng.<\/p>\n

Quan h\u1ec7 v\u1edbi b\u00e1o \u0111\u00e0i?<\/b>\u00a0<\/b><\/p>\n

\u1ede Vi\u1ec7t Nam, th\u01b0\u1eddng c\u00f3 s\u1ef1 ki\u1ec7n th\u00ec ph\u1ea3i c\u00f3 phong b\u00ec cho b\u00e1o \u0111\u00e0i. Nh\u01b0ng ch\u00fang t\u00f4i ch\u01b0a bao gi\u1edd l\u00e0m \u0111i\u1ec1u n\u00e0y, v\u00ec ch\u00fang t\u00f4i l\u00e0m vi\u1ec7c t\u1eeb qu\u1ef9 gia \u0111\u00ecnh, kh\u00f4ng c\u00f3 ti\u1ec1n cho b\u00e1o \u0111\u00e0i. Nh\u01b0ng ch\u00fang t\u00f4i c\u00f3 m\u1ed9t nh\u00f3m b\u00e1o ch\u00ed y\u00eau th\u00edch c\u00f4ng vi\u1ec7c c\u1ee7a m\u00ecnh. H\u1ecd vi\u1ebft b\u00e0i m\u00e0 kh\u00f4ng \u0111\u00f2i h\u1ecfi g\u00ec. T\u00ecnh b\u1ea1n \u0111\u01b0\u1ee3c thi\u1ebft l\u1eadp. Khi h\u1ecd l\u00e0m nh\u00e0 m\u1edbi th\u00ec m\u00ecnh t\u1eb7ng h\u1ecd b\u1ee9c tranh, nh\u01b0 l\u00e0 th\u1ec3 hi\u1ec7n t\u00ecnh b\u1ea1n, ch\u1ee9 kh\u00f4ng mua b\u00e1n trao \u0111\u1ed5i g\u00ec.<\/p>\n

Quan h\u1ec7 v\u1edbi ch\u00ednh quy\u1ec1n?<\/b>\u00a0<\/b><\/p>\n

Kh\u00f4ng gian l\u00e0m tri\u1ec3n l\u00e3m \u1edf \u0111\u00e2y ch\u00ednh l\u00e0 do nh\u00e0 n\u01b0\u1edbc t\u00e0i tr\u1ee3. C\u00e1c cu\u1ed9c tri\u1ec3n l\u00e3m t\u1ea5t nhi\u00ean \u0111\u1ec1u c\u00f3 gi\u1ea5y ph\u00e9p. C\u00f3 m\u1ed9t l\u1ea7n kh\u00f4ng \u0111\u01b0\u1ee3c c\u1ea5p gi\u1ea5y ph\u00e9p l\u00e0 v\u00ec m\u1ed9t h\u1ecda s\u0129 v\u1ebd tranh \u0111\u1ec1 t\u1ef1a l\u00e0 \u201cM\u00f9a xu\u00e2n \u1ea2 R\u1eadp\u201d. Do \u0111\u00f3 l\u00e0 ng\u01b0\u1eddi t\u1ed5 ch\u1ee9c ph\u1ea3i c\u00f3 s\u1ef1 ki\u1ec3m so\u00e1t v\u1ec1 ph\u00eda m\u00ecnh \u0111\u1ec3 tri\u1ec3n l\u00e3m \u0111\u01b0\u1ee3c th\u00e0nh c\u00f4ng. S\u1ef1 hi\u1ec3u gi\u1eefa con ng\u01b0\u1eddi c\u00f3 gi\u1edbi h\u1ea1n. M\u00ecnh ph\u1ea3i l\u00e0m sao \u0111\u1ec3 hai b\u00ean \u0111i\u1ec1u h\u00f2a v\u1edbi nhau.<\/p>\n

C\u00f3 nhi\u1ec1u ngh\u1ec7 s\u0129 than phi\u1ec1n v\u1ec1 ch\u00ednh quy\u1ec1n, c\u00e1c anh ngh\u0129 sao v\u1ec1 \u0111i\u1ec1u n\u00e0y?<\/b><\/p>\n

H\u1ecd t\u1ef1 l\u00e0m m\u1ec7t b\u1ea3n th\u00e2n m\u00ecnh, ch\u1ee9 cu\u1ed9c s\u1ed1ng qu\u00e1 t\u01b0\u01a1i \u0111\u1eb9p. C\u00f3 \u0111i\u1ec1u anh ph\u1ea3i lao \u0111\u1ed9ng, ch\u1ee9 kh\u00f4ng th\u1ec3 ng\u1ed3i kh\u00f4ng r\u1ed3i nh\u00e2n gian r\u01a1i th\u1ee9c \u0103n xu\u1ed1ng cho m\u00ecnh. M\u1ed9t \u0111i\u1ec1u n\u1eefa l\u00e0 m\u00ecnh ph\u1ea3i coi l\u1ea1i b\u1ea3n th\u00e2n m\u00ecnh, coi m\u00ecnh l\u00e0 ai. Ngh\u1ec7 s\u0129 Vi\u1ec7t Nam hay than v\u00e3n, n\u00e0o l\u00e0 t\u00f4i ngh\u00e8o, t\u00f4i kh\u00f4ng c\u00f3 t\u1ef1 do, t\u00f4i ngh\u0129 \u0111\u00f3 l\u00e0 BS.<\/p>\n

\u1ede Vi\u1ec7t Nam c\u00f3 b\u1ecb ki\u1ec1m k\u1eb9p, kh\u00f4ng \u0111\u01b0\u1ee3c t\u1ef1 do b\u1ed9c l\u1ed9 t\u01b0 t\u01b0\u1edfng?<\/b>\u00a0<\/b><\/p>\n

T\u00f4i ngh\u0129 c\u00f3 nhi\u1ec1u tr\u01b0\u1eddng h\u1ee3p ng\u01b0\u1eddi ta d\u00f9ng x\u00ec-c\u0103ng-\u0111an \u0111\u1ec3 n\u1ed5i ti\u1ebfng, d\u00f9ng ch\u00ednh tr\u1ecb \u0111\u1ec3 l\u00e0m ngh\u1ec7 thu\u1eadt. Th\u1eadt ra trong h\u01a1i th\u1edf cu\u1ed9c s\u1ed1ng \u0111\u00e3 c\u00f3 ch\u00ednh tr\u1ecb r\u1ed3i. M\u00ecnh s\u1ed1ng trong x\u00e3 h\u1ed9i, n\u1eb1m trong h\u1ec7 th\u1ed1ng, y\u1ebfu t\u1ed1 ch\u00ednh tr\u1ecb \u0111\u00e3 n\u1eb1m trong t\u00e1c ph\u1ea9m. Ng\u01b0\u1eddi kh\u00e1c t\u00f4i kh\u00f4ng bi\u1ebft, ch\u1ee9 t\u00f4i l\u00e0m nh\u1eefng \u0111i\u1ec1u t\u00f4i y\u00eau th\u00edch, t\u00f4i th\u1ea5y b\u00ecnh th\u01b0\u1eddng.<\/p>\n

\"thanh<\/a>
D\u1ef1 \u00e1n video art v\u00e0 s\u1eafp \u0111\u1eb7t “The Game” (2013), video 3 canh m\u00e0u, 12 gi\u1edd. \u00a9 NSAF.
Still from \u201cThe game\u201d (2013), video and installation project, 3-channel video, 12 hours. \u00a9 NSAF.<\/figcaption><\/figure>\n

Mu\u1ed1n \u0111i h\u1ecdc g\u00ec \u1edf n\u01b0\u1edbc ngo\u00e0i?<\/b>\u00a0<\/b><\/p>\n

H\u1ecdc \u0111\u1ee7 r\u1ed3i. Mu\u1ed1n \u0111i ch\u01a1i. Mu\u1ed1n \u0111i M\u1ef9 h\u1ecdc l\u00e1i m\u00e1y bay. 38 tu\u1ed5i r\u1ed3i. C\u00f2n kho\u1ea3ng 12 n\u0103m l\u00e0m ngh\u1ec7 thu\u1eadt th\u00f4i. R\u1ed3i v\u1ec1 h\u01b0u.<\/p>\n

T\u1ea1i sao M\u1ef9?<\/b>\u00a0<\/b><\/p>\n

\u1ede \u0111\u00f3 an to\u00e0n h\u01a1n, t\u1ec9 l\u1ec7 h\u1ecdc vi\u00ean ch\u1ebft \u00edt.<\/p>\n

Mu\u1ed1n \u0111i ch\u01a1i \u1edf \u0111\u00e2u?<\/b>\u00a0<\/b><\/p>\n

L\u00e0o.<\/p>\n

Th\u00edch m\u00f4i tr\u01b0\u1eddng ngh\u1ec7 thu\u1eadt \u1edf \u0111\u00e2u?<\/b><\/p>\n

New York, Paris. Nam H\u00e0n. C\u00e1i kh\u1ed5 l\u00e0 \u1edf \u0111\u00e2u c\u0169ng t\u1ed1t h\u01a1n Vi\u1ec7t Nam.<\/p>\n

Trong vi\u1ec7c ho\u1ea1t \u0111\u1ed9ng ngh\u1ec7 thu\u1eadt \u0111\u1ed9c l\u1eadp, \u1edf Vi\u1ec7t Nam c\u0169ng kh\u00f3 kh\u0103n nh\u01b0 \u1edf n\u01b0\u1edbc ngo\u00e0i?<\/b>\u00a0<\/b><\/p>\n

T\u00f4i ngh\u0129 \u1edf Vi\u1ec7t Nam c\u00f3 \u0111i\u1ec1u ki\u1ec7n h\u01a1n. Cu\u1ed9c s\u1ed1ng r\u1ebb h\u01a1n. Nh\u01b0ng ngh\u1ec7 thu\u1eadt l\u00e0 m\u1ed9t cu\u1ed9c ch\u01a1i, ph\u1ea3i d\u00e1m ch\u01a1i d\u00e1m ch\u1ecbu.<\/p>\n

\"thanh<\/a>
Thanh (\u00e1o x\u00e1m) v\u00e0 H\u1ea3i (\u00e1o \u0111\u1ecf).
Thanh (in grey) and H\u1ea3i (in red).<\/figcaption><\/figure>\n

M\u1ed1i giao ti\u1ebfp gi\u1eefa c\u00e1c anh v\u1edbi nh\u1eefng ngh\u1ec7 s\u0129 g\u1ed1c Vi\u1ec7t sang Vi\u1ec7t Nam s\u1ed1ng v\u00e0 l\u00e0m vi\u1ec7c nh\u01b0 th\u1ebf n\u00e0o?<\/b><\/p>\n

Th\u1eadt ra h\u1ecd l\u00e0 ng\u01b0\u1eddi M\u1ef9 ch\u1ee9 kh\u00f4ng ph\u1ea3i Vi\u1ec7t Nam. H\u1ecd c\u00f3 d\u00f2ng m\u00e1u Vi\u1ec7t Nam, nh\u01b0ng m\u1ecdi th\u1ee9 t\u1eeb t\u01b0 t\u01b0\u1edfng, \u0111\u00e0o t\u1ea1o, suy ngh\u0129, \u01b0\u1edbc m\u01a1 v.v… l\u00e0 M\u1ef9. H\u1ecd kh\u00f4ng mang trong ng\u01b0\u1eddi h\u01a1i th\u1edf Vi\u1ec7t Nam. H\u1ecd \u0111\u01b0\u1ee3c \u0111\u00e0o t\u00e0o t\u1ed1t, h\u1ecd c\u00f3 th\u1ec3 hi\u1ec3u ngh\u1ec7 thu\u1eadt Vi\u1ec7t Nam, t\u00e1c ph\u1ea9m c\u1ee7a h\u1ecd r\u1ea5t t\u1ed1t, v\u00e0 h\u1ecd c\u00f3 th\u1ec3 hi\u1ec3u v\u0103n h\u00f3a Vi\u1ec7t Nam. S\u1ef1 hi\u1ec3u kh\u00f4ng ph\u1ea3i \u0111\u01a1n gi\u1ea3n. N\u00ean h\u1ecd l\u00e0 ng\u01b0\u1eddi ho\u00e0n to\u00e0n kh\u00e1c ch\u00fang t\u00f4i, h\u1ecd kh\u00f4ng ph\u1ea3i l\u00e0 ng\u01b0\u1eddi \u0111\u1ecba ph\u01b0\u01a1ng.<\/p>\n

Anh mu\u1ed1n nh\u00ecn th\u1ea5y h\u01b0\u1edbng s\u00e1ng t\u00e1c trong ngh\u1ec7 thu\u1eadt c\u1ee7a ngh\u1ec7 s\u0129 Vi\u1ec7t Nam \u0111i v\u1ec1 \u0111\u00e2u?<\/b><\/p>\n

\u0110\u1ed9c l\u1eadp c\u00e1 nh\u00e2n l\u00e0 quan tr\u1ecdng nh\u1ea5t. M\u1ed9t ngh\u1ec7 s\u0129 l\u00e0m vi\u1ec7c \u0111\u1ed9c l\u1eadp, kh\u00f4ng c\u1ea7n \u0111o\u00e0n th\u1ec3, t\u1ed5 ch\u1ee9c, nh\u00f3m g\u00ec c\u1ea3. N\u1ebfu h\u1ecd hi\u1ec3u m\u00ecnh l\u00e0 ai, sinh ra t\u1eeb \u0111\u00e2u th\u00ec s\u1ebd kh\u00f4ng n\u1eb7ng n\u1ec1. Nh\u1eb9 nh\u00e0ng, vui c\u01b0\u1eddi th\u00f4i.<\/p>\n

T\u00ecm hi\u1ec3u th\u00eam v\u1ec1 Thanh-H\u1ea3i v\u00e0 New Space Arts Foundation: http:\/\/www.newspacearts.com\/<\/a><\/p>\n

Anvi Ho\u00e0ng<\/b> sinh tr\u01b0\u1edfng t\u1ea1i Vi\u1ec7t Nam, sang M\u1ef9 h\u1ecdc cao h\u1ecdc v\u00e0 r\u1ed3i t\u00ecm th\u1ea5y ni\u1ec1m vui trong vi\u1ec7c vi\u1ebft l\u00e1ch t\u1ef1 do. Anvi vi\u1ebft thu\u1ea7n th\u1ee5c c\u1ea3 ti\u1ebfng Anh v\u00e0 ti\u1ebfng Vi\u1ec7t. Vi\u1ebft \u0111\u1ec3 tung h\u00f4 v\u0103n h\u00f3a Vi\u1ec7t Nam v\u00e0 vi\u1ebft v\u1ec1 s\u1ef1 thay \u0111\u1ed5i. Anvi th\u00edch kh\u00e1m ph\u00e1 th\u1ebf gi\u1edbi \u2018ch\u00e2n trong ch\u00e2n ngo\u00e0i\u2019 m\u00e0 c\u00f4 \u0111ang s\u1ed1ng, v\u00e0 th\u00edch n\u01b0\u1edbc. C\u00f4 s\u1ed1ng \u1edf th\u00e0nh ph\u1ed1 Bloomington, thu\u1ed9c ti\u1ec3u bang Indiana.<\/p>\n

\"thanh<\/a>
Still from \u201cBowls and chopsticks \u20181945\u2019\u201d (2011), installation art. \u00a9 NSAF.
T\u00e1c ph\u1ea9m s\u1eafp \u0111\u1eb7t Ch\u00e9n V\u00e0 \u0110\u0169a \u201c1945″, ho\u00e0n th\u00e0nh n\u0103m 2011. \u00a9 NSAF.<\/figcaption><\/figure>\n

Thanh-H\u1ea3i making art in Hu\u1ebf<\/b><\/p>\n

Known as the Le Brothers Thanh-Hai, or Thanh-H\u1ea3i as some of their friends call them, these twin brothers, L\u00ea Ng\u1ecdc Thanh and L\u00ea \u0110\u1ee9c H\u1ea3i, make quite a pair. They collaborate and thrive in union as the best twins can be. They talk loudly and make bold statements that could be deemed offensive to many. After a short conversation with them, one could possibly feel the \u2018hate-them\u2019 or \u2018love-them\u2019 vibe. But ultimately, their goal is to bring art to Hu\u1ebf people and beyond, and they are doing great at that. Their accomplishments dovetail their stories.<\/p>\n

Thanh-H\u1ea3i\u2019s passion for art is piercing nonporous surfaces. Instead of saving money to buy a car or build a big house, they pour it into the first art foundation in Hu\u1ebf. They are willing to sell the properties they have to maintain it. They work extremely hard without a complaint \u2013 mostly because they don\u2019t have enough time to do what they love doing, let alone sitting around and complaining. Conversely, it is not in their personality to sit around and complain, that\u2019s why they have more time doing things they like. Even before their graduation in 2000, they attracted attention of the artists in Hu\u1ebf and became well-known in Vietnam soon after that.<\/p>\n

Thanh and H\u1ea3i have been abroad many times for their exhibitions and performances: Thailand, Singapore, France, Germany, etc. And they have learned valuable lessons. That is why it is not a surprise to see New Space Arts Foundation (NSAF) founded by them in 2008 doing so well. They have a residency program open to artists all over the world. Up to this moment, 81 artists have been in residence at NSAF.<\/p>\n

\"thanh<\/a>
A group exhibition at NSAF, 15 L\u00ea L\u1ee3i, Hu\u1ebf. \u00a9 NSAF.
Khai m\u1ea1c m\u1ed9t tri\u1ec3n l\u00e3m Nh\u00f3m t\u1ea1i NSAF, 15 L\u00ea L\u1ee3i Tp Hu\u1ebf. \u00a9 NSAF.<\/figcaption><\/figure>\n

So far, the foundation is funded by their family money and from sales of their art works. Laughing, Thanh-H\u1ea3i said, \u201cWe would close down the foundation when we run out of money and our wives stop supporting our artist career anymore.\u201d Are they joking? Read their responses below to judge for yourself how serious you think they are. During the interview, Thanh and H\u1ea3i often talked at the same time. The answers that follow the questions, therefore, represent both of them.<\/p>\n

What does it take for Vietnamese artists to be recognized outside Vietnam?<\/b>\u00a0<\/b><\/p>\n

Labor, art works. What is unfortunate about Vietnamese artists these days is that they depend on grants to make art. We have finished dozens of works without asking money from anyone. One does not necessarily need to have money to make art. We are making a 36-hour long video \u2013 an impossible thing, you may think. But we are doing it. We have more than 20 hours already. We work everyday. Our friends help us as well. The key is hard work, some day we film 60GB. So it is not just money. Sometimes money does not bring you art.<\/p>\n

It is tough to be an artist because one has to work really hard. It takes time to build up. One cannot think that money is a must in making art. Art dies if you don\u2019t make it. So you have to constantly work on it. Besides making a living, one must be able to create concepts and projects to go along. If an artist knows how to work, money is not that important.<\/p>\n

How has the audience to New Space Arts changed over time since 2008?<\/b>\u00a0<\/b><\/p>\n

More and more people come. Hu\u1ebf people love art, but contemporary stuffs like performance, installation, video art are not their favorites. So we weave in music, poetry and book nights. Any activity that brings about changes is included in our events, not just high art. We simply make sure the works are of high quality to support them.<\/p>\n

\"thanh<\/a>
Still from \u201cInto the sea\u201d (2011), 3-channel video, 21 minutes. Collective work. Highlighted work at Singapore Biennale 2013. \u00a9 NSAF.
T\u00e1c ph\u1ea9m video art “Ch\u1ea1m t\u1edbi Bi\u1ec3n (2011), 3 canh m\u00e0u, 21 ph\u00fat, t\u00e1c ph\u1ea9m highlight t\u1ea1i cu\u1ed9c tri\u1ec3n l\u00e3m Singapore Biennale 2013. \u00a9 NSAF.<\/figcaption><\/figure>\n

What is your relation with the press like?<\/b>\u00a0<\/b><\/p>\n

In Vietnam, you often have to bribe the press for coverage in cases of events. We have not done that because we operate on family money and we cannot afford that. On the other hand, we have a group of journalists who like what we are doing. They write about us without asking for anything in return.<\/p>\n

What is the relation with the government like?<\/b><\/p>\n

Our exhibition space is provided by the government. Of course we need a permit for each exhibition. One time we didn\u2019t get it because one painter titled their work \u201cThe Arab Spring.\u201d Because of issues like this, as organizers, we have to do the checking to make sure the exhibition can go smoothly. Mutual understanding among human beings is limited. We have to act in a way that bridges the gap between the sides.<\/p>\n

\"diacritics-donate_header_box_640x120\"<\/a><\/p>\n

Many artists are complaining about the government. What do you think about that?<\/b><\/p>\n

I think they buy trouble to themselves. Life is so wonderful. You just have to work hard and not sit around waiting for things to fall from the sky. You also need to know who you are. Vietnamese artists have a habit of complaining about being poor and lack of freedom. I think that is BS.<\/p>\n

Do you think you are suppressed and without freedom to express yourself in Vietnam?<\/b><\/p>\n

I think in many cases people use scandals to achieve fame, using politics to do art. The fact is politics is in the air we breathe. We live in the system and politics is embedded in our works. I don\u2019t know about others, but I do whatever I like and everything is fine.<\/p>\n

\"thanh<\/a>
Still from \u201cThe game\u201d (2013), video and installation project, 3-channel video, 12 hours. \u00a9 NSAF.
D\u1ef1 \u00e1n video art v\u00e0 s\u1eafp \u0111\u1eb7t “The Game” (2013), video 3 canh m\u00e0u, 12 gi\u1edd. \u00a9 NSAF.<\/figcaption><\/figure>\n

If you have a chance to go abroad again, what else do you want to study?<\/b>\u00a0<\/b><\/p>\n

We have studied enough. We just want to learn to fly an airplane in the US. We are 38 now. We have about 12 more years to make art. Then we retire.<\/p>\n

Why the US?<\/b>\u00a0<\/b><\/p>\n

It is safer there. The number of student casualties is low.<\/p>\n

Where do you want to go for a vacation?<\/b>\u00a0<\/b><\/p>\n

Laos.<\/p>\n

How difficult is it to be an independent artist in Vietnam?<\/b>\u00a0<\/b><\/p>\n

I think it is actually more comfortable here in Vietnam because the living cost is lower. But after all, art is a game where you have to be willing to take risk.<\/p>\n

What is your reception of artists of Vietnamese descent who live and work in Vietnam?<\/b><\/p>\n

Honestly, they are American. They carry the Vietnamese blood line, but everything about them \u2013 from their dreams, their education, their thoughts \u2013 is American. They don\u2019t breathe the Vietnamese air the way we do. They may understand Vietnamese culture, they may understand Vietnamese art, they are well-trained, their art works are of high quality. Yet, understanding is not a simple thing. They are completely different than us. They are not local.<\/p>\n

Where do you want to see Vietnamese artists head to in the future?<\/b><\/p>\n

Independence is the most crucial issue. An independent artist does not need to join any organization or group. If they understand who they are and where they are from, they don\u2019t feel heavy. They just smile and go through life.<\/p>\n

Find out more about Thanh-H\u1ea3i and New Space Arts Foundation at: http:\/\/www.newspacearts.com\/<\/a><\/p>\n

 <\/p>\n

\u00a0<\/del><\/p>\n

Anvi Ho\u00e0ng<\/b> grew up in Vietnam. She came to the US for graduate studies and have found happiness in writing. She makes it one aim to celebrate Vietnamese culture in her writing. A bilingual writer in English and Vietnamese, Anvi enjoys exploring the in-between worlds she is in, and loves water. She lives in Bloomington, IN.<\/p>\n

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Do you enjoy reading diaCRITICS? Then please\u00a0consider subscribing<\/a>!<\/em><\/p>\n

Please take the time to rate this post (above) and share it (below). Ratings for top posts are listed on the sidebar. Sharing (on email, Facebook, etc.) helps spread the word about diaCRITICS. And join the conversation and leave a comment!\u00a0Do you agree with Thanh-H\u1ea3i\u2019s view on the relationship between money and art? Do you think it is possible for them to be freely expressive in Vietnam as they say they are?<\/em><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/del>
\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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