{"id":43893,"date":"2021-02-24T07:05:21","date_gmt":"2021-02-24T15:05:21","guid":{"rendered":"https:\/\/diacritics.org\/?p=42786"},"modified":"2021-02-23T21:52:38","modified_gmt":"2021-02-24T05:52:38","slug":"double-edge-soliloquy-a-poem-by-kaitlan-bui","status":"publish","type":"post","link":"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/","title":{"rendered":"double edge soliloquy ~ a poem by Kaitlan Bui"},"content":{"rendered":"
\"\"
\u201c030\/365<\/a>\u201d by Bronwyn73 (Creative Commons: BY-ND 2.0)<\/figcaption><\/figure>\n

Listen to Kaitlan Bui read her poem:<\/p>\n\nhttps:\/\/dvan.org\/\/wp-content\/uploads\/2020\/11\/double-edge-soliloquy.m4a<\/a><\/audio>\n

their stories are not mine to tell
\nbut\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span><\/em>english majors write don\u2019t they<\/em>
\n____\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 _____<\/span>did your parents really let you major<\/em>
\n_____<\/span>then no one tells them
\n___\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>\u00a0<\/span>in english<\/em>
\nso we just flip through photo albums
\nreading The End before the beginning<\/p>\n

 <\/p>\n

\u201cbefore we came to America\u201d
\nfeels like a hollywood movie
\npick it apart like the oranges we buy
\nfrom \u0110\u00e0 L\u1ea1t\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span><\/em>no, not vietnam, you immigrant,<\/em>
\n_____<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>i mean the american<\/em>
\n____<\/span><\/em>____<\/span><\/em>____<\/span><\/em>Supermarket
\n____<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>wait what are you anyway<\/em>
\nWestminster, California, Asian Town, America: American,
\n____<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>land of the free, home of the<\/em>
\nthough to be honest, sometimes i don\u2019t feel that\u00a0 \u00a0brave<\/em><\/p>\n

 <\/p>\n

heartbreak and jail cells
\nthe jack and rose to my American dream
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>that\u2019s right, speak in metaphors i can understand<\/em>
\nbony bodies, a pinch of salt
\nhide the jewelry in the baby\u2019s diaper
\nhope the soldier doesn\u2019t check
\nit\u2019s like Nazi Germany, see
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>no, it\u2019s not<\/em>
\nno, it\u2019s not
\nwe should never have gotten involved in that war
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>we the people of the united states<\/em>
\nthat\u2019s what i argued in my history class
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>in order to form a more perfect union<\/em>
\ni was assigned to the Nixon table to
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>establish justice<\/em>
\nchallenge the world that
\nmy family fought for
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>the blessings of liberty, our posterity<\/em><\/p>\n

who am i to do that, tell me
\nwho are you to ask that of me<\/p>\n

 <\/p>\n

they used to recount stories but
\njust when i became old enough
\nthey stopped i don\u2019t know why
\nand now i ask i ask i
\nfeel i am prying into a past that is not mine
\nwhat happens next, my little hollywood movie
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>exposition, climax, resolution<\/em>
\ni hate that i love to hear
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>___<\/span>the story of survival, a New York Times <\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span>____<\/span>Bestselling Novel<\/em>
\nabout their sufferings
\nas if they were my own stories<\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____<\/span> __<\/span>but then<\/em><\/p>\n

 <\/p>\n

 <\/p>\n

if no one tells them
\nwe will just flip through photo albums
\nreading The End before the beginning, reading
\nthey live happily ever after\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0_______________<\/span><\/em>
\nover and over again, reading
\nThe End\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0_______________<\/span><\/em>
\nwithout remembering why we even started.<\/p>\n


\n

Contributor’s Bio<\/strong><\/p>\n

\"\"Kaitlan Bui<\/strong> is studying English and East Asian Studies at Brown University. She writes for two university publications, Cornerstone and Post- Magazine, and she hopes to continue writing for a very long time. Kaitlan is currently working on a book based on the life of her great aunt, who was born in Vietnam in the 1930s.<\/p>\n","protected":false},"excerpt":{"rendered":"

they used to recount stories but
\njust when i became old enough
\nthey stopped i don\u2019t know why
\nand now i ask i ask i<\/p>\n","protected":false},"author":35,"featured_media":44990,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[1633,575],"tags":[],"yoast_head":"\ndouble edge soliloquy ~ a poem by Kaitlan Bui - DVAN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"double edge soliloquy ~ a poem by Kaitlan Bui - DVAN\" \/>\n<meta property=\"og:description\" content=\"they used to recount stories but just when i became old enough they stopped i don\u2019t know why and now i ask i ask i\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/\" \/>\n<meta property=\"og:site_name\" content=\"DVAN\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/DiasporicVietnameseArtistsNetwork\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-02-24T15:05:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-24T05:52:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dvan.org\/wp-content\/uploads\/2021\/01\/double-edge-featured.png\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"guest\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dia_CRITICS\" \/>\n<meta name=\"twitter:site\" content=\"@dia_CRITICS\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"guest\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/\"},\"author\":{\"name\":\"guest\",\"@id\":\"https:\/\/dvan.org\/#\/schema\/person\/8fe953e505afc6616ddd049343855be1\"},\"headline\":\"double edge soliloquy ~ a poem by Kaitlan Bui\",\"datePublished\":\"2021-02-24T15:05:21+00:00\",\"dateModified\":\"2021-02-24T05:52:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/\"},\"wordCount\":445,\"commentCount\":2,\"publisher\":{\"@id\":\"https:\/\/dvan.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/dvan.org\/wp-content\/uploads\/2021\/01\/double-edge-featured.png\",\"articleSection\":[\"Out of the Margins\",\"Poetry\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/\",\"url\":\"https:\/\/dvan.org\/2021\/02\/double-edge-soliloquy-a-poem-by-kaitlan-bui\/\",\"name\":\"double edge soliloquy ~ a poem by Kaitlan Bui - 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