{"id":45484,"date":"2021-05-05T07:00:25","date_gmt":"2021-05-05T14:00:25","guid":{"rendered":"https:\/\/dvan.org\/?p=45484"},"modified":"2021-04-19T16:31:36","modified_gmt":"2021-04-19T23:31:36","slug":"color-swatch-0945-treasure-seeker","status":"publish","type":"post","link":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/","title":{"rendered":"Color Swatch 0945: Treasure Seeker"},"content":{"rendered":"
\"\"
“Yellow Dress, Djerassi Barn, Aimee.” Photo by She Who Has No Master(s).<\/figcaption><\/figure>\n

“Color Swatch 0945: Treasure Seeker” is a cento poem made up of line fragments from poems by these writers: Vo Hong Chuong-Dai, Connie Pham, Julie Thi Underhill, Azizah Ahmad, Pimone Triplett, Souvankham Thammavongsa, Emily P. Lawsin, Leakhena Leng, Karen Llagas. These authors’ works can be found in <\/em>Troubling Borders: <\/strong>An Anthology of Literature and Art by Southeast Asian Women in the Diaspora<\/strong><\/a>, <\/strong>edited by Isabelle Thuy Pelaud, Lan Duong, and Kathy Nguyen. <\/em>Troubling Borders was first published in 2014 and reissued in paperback in 2020; it received the 2014 Choice Outstanding Academic Title and\u00a0Bronze Book Award 2015 from the Association for Borderlands Studies, and was featured on NBC News as one of the six\u00a0Asian-American memoirs to Read for Women\u2019s History Month<\/a>. <\/em>Isabelle Thuy Pelaud is also the co-founder and executive director of the Diasporic Vietnamese Artists Network. Isabelle and Lan Duong are members, with Dao Strom, of She Who Has No Master(s), DVAN\u2019s collective project of Vietnamese women and nonbinary writers of the diaspora.<\/em><\/p>\n

~<\/p>\n

COLOR SWATCH 0945: TREASURE SEEKER<\/strong><\/p>\n

 <\/p>\n

porridge and
\n_____<\/span>urine
\nstaining the edges
\nalong those
\nold scales
\n_____<\/span>of humanity and
\nsavagery
\n_______________<\/span>Other Asian<\/p>\n

 <\/p>\n

Each of the girls wears a number
\n____<\/span>then circles.
\nThis is a scream, not a shout-out,
\nWe are Evidence. Evidence of truth. Evidence of strength. Evidence of
\n____<\/span>the country. Waxed<\/p>\n

____<\/span>and contained;<\/p>\n

You are still my enemy, Asian America, you are my enemy<\/p>\n

 <\/p>\n

I am from<\/p>\n

 <\/p>\n

~<\/p>\n

\u201cColor Swatch 0945\u201d is a shade of yellow. The name given to this hue (by some color palette designer or other) was \u201cTreasure Seeker\u201d. I pulled this color swatch in a poetry-writing exercise, to create a cento in response to a color. The connotations associated with the color yellow, especially for people who reside inside Asian skins, are many and charged, of course. I reached for a volume on my bookshelf, a book with a bright shade of yellow on its spine and cover. Troubling Borders<\/em> is an anthology that, as its title suggests, explores both the act of, and status of being subject to conditions that are, \u201ctroubling\u201d\u2014it is a word we may read as either verb or adjective. This double-meaning suggests that borders can trouble us<\/em>, for how they seek to contain or shut us out; and\/or, we can invert the phrase and turn our own actions, and beings, onto<\/em> the borders, thus disrupting those lines and expectations we have been expected to simply abide by. A cento is a poem made up of lines from other sources, (from the Latin word for \u201cpatchwork\u201d), a collage poem. In the definition of cento on poets.org<\/a>, it is \u201ca poetic form composed entirely of lines from poems by other poets\u201d, with early examples found in the work of Homer and Virgil, and modern examples cited as being \u201coften witty, creating irony or humor from the juxtaposition of images and ideas.\u201d In my cento the lines are drawn all from one source, culling from the voices of Southeast Asian diasporic women writers who are \u201ctroubling\u201d the borders that have troubled them\/us: borders of skin, nation, identities, culture, history, politics, and assumptions\u2014so deeply embedded they are often not registered as \u2018real\u2019\u2014about the \u201cyellow\u201d-ed body.<\/p>\n

Anne Anlin Cheng writes, in Ornamentalism<\/a><\/em>: \u201cI suggest that the critical impoverishment surrounding the WOC is particularly concentrated for the yellow woman, whose fraught access to the complicated \u2018privilege\u2019 of injury demands a different kind of attention \u2026 Given the extensive, historic discrimination leveled at the yellow woman, it is startling how the bulk of femininst theory\u2026 has overlooked this figure beyond granting it its nominal pathology. I use the term \u2018yellow woman\u2019, rather than \u2018Asian woman in the West\u2019 or \u2018Asian American woman\u2019, because these more ameliorative, politically acceptable terms do not conjure the queasiness of this inescapably racialized and gendered figure. I am not so much interested in recuperating \u2018yellowness\u2019 as a gesture of political defiance as I am intent on grasping the genuine dilemma of its political exception. What does it mean to survive as someone too aestheticized to suffer injury but so aestheticized that she invites inury? \u2026 This figure is so suffused with representation that she is invisible…\u201d<\/p>\n

What does it mean, to survive<\/em>? To be \u201ctoo\u201d aestheticized<\/em>? To be considered exempt from injury<\/em> (harmless, invisible, dispensable), yet at the same time to invite<\/em> injury\u2014due to the object one\u2019s body supposedly represents?<\/p>\n

The voices I draw together in this small act of poetic collaging are voices that have wrestled against conditions of invisibility and yellowness for the entirety of their existences as diasporic beings. The word \u201cinvisibility\u201d is key to the predicament of Asian Americans at large at this time, as it has been all along, even if it is surfacing only now\u2014after (finally??) *visible* tragedies\u2014in the national dialogues about race. Asian American women suffer this invisibility in ways also particularized by gender, sexualization, misogyny, etc. When we name a thing as invisible, however, we are also naming that we know it is there. The visible is contained, indelibly, within that which we are insisting is in<\/em>visible. But our voices, bodies, lived experiences, have been and continue to be absolutely present, very much here, even as we configure and at times condemn what \u201chere\u201d means for each of us.<\/p>\n

[–DS, 3.25.21]<\/em><\/p>\n

 <\/p>\n

(This poem was first published in <\/em>The Offing<\/a>, and appears in the book, <\/em>Instrument<\/a>.)<\/p>\n

\n
\n
\n

\"\"Dao Strom<\/strong> is the author of the poetry collection,\u00a0Instrument<\/em> (Fonograf Editions, 2020), and its musical companion piece,\u00a0Traveler’s Ode\u00a0<\/em>(Antiquated Future Records, 2020). Her other works include You Will Always Be Someone From Somewhere Else<\/em>,\u00a0We Were Meant To Be a Gentle People<\/em>,\u00a0The Gentle Order of Girls and Boys<\/em>, and\u00a0Grass Roof, Tin Roof<\/em>; and a song-cycle,\u00a0East\/West<\/em>. She is the co-founder and creative director of the collective project, She Who Has No Master(s). www.daostrom.com<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

What does it mean, to survive? To be \u201ctoo\u201d aestheticized? To be considered exempt from injury (harmless, invisible, dispensable), yet at the same time to invite injury, due to the object one\u2019s body supposedly represents? <\/p>\n","protected":false},"author":40,"featured_media":45489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[1633,575],"tags":[],"yoast_head":"\nColor Swatch 0945: Treasure Seeker - DVAN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Color Swatch 0945: Treasure Seeker - DVAN\" \/>\n<meta property=\"og:description\" content=\"What does it mean, to survive? To be \u201ctoo\u201d aestheticized? To be considered exempt from injury (harmless, invisible, dispensable), yet at the same time to invite injury, due to the object one\u2019s body supposedly represents?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/\" \/>\n<meta property=\"og:site_name\" content=\"DVAN\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/DiasporicVietnameseArtistsNetwork\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-05T14:00:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-19T23:31:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dao Strom\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dia_CRITICS\" \/>\n<meta name=\"twitter:site\" content=\"@dia_CRITICS\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dao Strom\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/\"},\"author\":{\"name\":\"Dao Strom\",\"@id\":\"https:\/\/dvan.org\/#\/schema\/person\/4940877841fa1411275dc9d71394d37f\"},\"headline\":\"Color Swatch 0945: Treasure Seeker\",\"datePublished\":\"2021-05-05T14:00:25+00:00\",\"dateModified\":\"2021-04-19T23:31:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/\"},\"wordCount\":997,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/dvan.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png\",\"articleSection\":[\"Out of the Margins\",\"Poetry\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/\",\"url\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/\",\"name\":\"Color Swatch 0945: Treasure Seeker - DVAN\",\"isPartOf\":{\"@id\":\"https:\/\/dvan.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png\",\"datePublished\":\"2021-05-05T14:00:25+00:00\",\"dateModified\":\"2021-04-19T23:31:36+00:00\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage\",\"url\":\"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png\",\"contentUrl\":\"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png\",\"width\":700,\"height\":500},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dvan.org\/#website\",\"url\":\"https:\/\/dvan.org\/\",\"name\":\"DVAN\",\"description\":\"Diasporic Vietnamese Artists Network (DVAN) empowers Vietnamese American literature and art\",\"publisher\":{\"@id\":\"https:\/\/dvan.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dvan.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/dvan.org\/#organization\",\"name\":\"Diasporic Vietnamese Artists Network\",\"alternateName\":\"DVAN\",\"url\":\"https:\/\/dvan.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/dvan.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/dvan.org\/wp-content\/uploads\/2020\/12\/dvan-logo-multi-color@1x.png\",\"contentUrl\":\"https:\/\/dvan.org\/wp-content\/uploads\/2020\/12\/dvan-logo-multi-color@1x.png\",\"width\":200,\"height\":93,\"caption\":\"Diasporic Vietnamese Artists Network\"},\"image\":{\"@id\":\"https:\/\/dvan.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/DiasporicVietnameseArtistsNetwork\/\",\"https:\/\/x.com\/dia_CRITICS\",\"https:\/\/www.instagram.com\/weare_dvan\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dvan.org\/#\/schema\/person\/4940877841fa1411275dc9d71394d37f\",\"name\":\"Dao Strom\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/dvan.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/50833e9f9cfe2ba5ed3e6fae49b43c5c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/50833e9f9cfe2ba5ed3e6fae49b43c5c?s=96&d=mm&r=g\",\"caption\":\"Dao Strom\"},\"description\":\"Dao Strom is the author of the poetry collection, Instrument (Fonograf Editions), and its musical companion, Traveler\u2019s Ode (Antiquated Future Records); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (Hanoi: AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East\/West; and two books of fiction, The Gentle Order of Girls and Boys, and Grass Roof, Tin Roof.\u00a0Her work has received support from the Creative Capital Foundation, Oregon Arts Commission, NEA, and others. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and now lives in Portland, Oregon. She is the co-founder of the writing-art collective, She Who Has No Master(s). Twitter\/Instagram: @herandthesea\",\"url\":\"https:\/\/dvan.org\/author\/daostrom\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Color Swatch 0945: Treasure Seeker - DVAN","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/","og_locale":"en_US","og_type":"article","og_title":"Color Swatch 0945: Treasure Seeker - DVAN","og_description":"What does it mean, to survive? To be \u201ctoo\u201d aestheticized? To be considered exempt from injury (harmless, invisible, dispensable), yet at the same time to invite injury, due to the object one\u2019s body supposedly represents?","og_url":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/","og_site_name":"DVAN","article_publisher":"https:\/\/www.facebook.com\/DiasporicVietnameseArtistsNetwork\/","article_published_time":"2021-05-05T14:00:25+00:00","article_modified_time":"2021-04-19T23:31:36+00:00","og_image":[{"width":700,"height":500,"url":"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png","type":"image\/png"}],"author":"Dao Strom","twitter_card":"summary_large_image","twitter_creator":"@dia_CRITICS","twitter_site":"@dia_CRITICS","twitter_misc":{"Written by":"Dao Strom","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#article","isPartOf":{"@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/"},"author":{"name":"Dao Strom","@id":"https:\/\/dvan.org\/#\/schema\/person\/4940877841fa1411275dc9d71394d37f"},"headline":"Color Swatch 0945: Treasure Seeker","datePublished":"2021-05-05T14:00:25+00:00","dateModified":"2021-04-19T23:31:36+00:00","mainEntityOfPage":{"@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/"},"wordCount":997,"commentCount":0,"publisher":{"@id":"https:\/\/dvan.org\/#organization"},"image":{"@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage"},"thumbnailUrl":"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png","articleSection":["Out of the Margins","Poetry"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/","url":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/","name":"Color Swatch 0945: Treasure Seeker - DVAN","isPartOf":{"@id":"https:\/\/dvan.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage"},"image":{"@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage"},"thumbnailUrl":"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png","datePublished":"2021-05-05T14:00:25+00:00","dateModified":"2021-04-19T23:31:36+00:00","inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/dvan.org\/2021\/05\/color-swatch-0945-treasure-seeker\/#primaryimage","url":"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png","contentUrl":"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png","width":700,"height":500},{"@type":"WebSite","@id":"https:\/\/dvan.org\/#website","url":"https:\/\/dvan.org\/","name":"DVAN","description":"Diasporic Vietnamese Artists Network (DVAN) empowers Vietnamese American literature and art","publisher":{"@id":"https:\/\/dvan.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dvan.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/dvan.org\/#organization","name":"Diasporic Vietnamese Artists Network","alternateName":"DVAN","url":"https:\/\/dvan.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/dvan.org\/#\/schema\/logo\/image\/","url":"https:\/\/dvan.org\/wp-content\/uploads\/2020\/12\/dvan-logo-multi-color@1x.png","contentUrl":"https:\/\/dvan.org\/wp-content\/uploads\/2020\/12\/dvan-logo-multi-color@1x.png","width":200,"height":93,"caption":"Diasporic Vietnamese Artists Network"},"image":{"@id":"https:\/\/dvan.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/DiasporicVietnameseArtistsNetwork\/","https:\/\/x.com\/dia_CRITICS","https:\/\/www.instagram.com\/weare_dvan\/"]},{"@type":"Person","@id":"https:\/\/dvan.org\/#\/schema\/person\/4940877841fa1411275dc9d71394d37f","name":"Dao Strom","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/dvan.org\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/50833e9f9cfe2ba5ed3e6fae49b43c5c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50833e9f9cfe2ba5ed3e6fae49b43c5c?s=96&d=mm&r=g","caption":"Dao Strom"},"description":"Dao Strom is the author of the poetry collection, Instrument (Fonograf Editions), and its musical companion, Traveler\u2019s Ode (Antiquated Future Records); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (Hanoi: AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East\/West; and two books of fiction, The Gentle Order of Girls and Boys, and Grass Roof, Tin Roof.\u00a0Her work has received support from the Creative Capital Foundation, Oregon Arts Commission, NEA, and others. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and now lives in Portland, Oregon. She is the co-founder of the writing-art collective, She Who Has No Master(s). Twitter\/Instagram: @herandthesea","url":"https:\/\/dvan.org\/author\/daostrom\/"}]}},"jetpack_featured_media_url":"https:\/\/dvan.org\/wp-content\/uploads\/2021\/03\/yellowdress_barn_aimee_featured.png","_links":{"self":[{"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/posts\/45484"}],"collection":[{"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/comments?post=45484"}],"version-history":[{"count":0,"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/posts\/45484\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/media\/45489"}],"wp:attachment":[{"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/media?parent=45484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/categories?post=45484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dvan.org\/wp-json\/wp\/v2\/tags?post=45484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}