Profiles

I wanted it to be like listening to a vinyl record, with the A-side all glitchy industrial beats before you flip it over for the B-side of acoustic ballads.

A life of exile makes you grow up in this very interesting space that is between languages.

It made me feel like I had a responsibility to keep this alive.

TV gives you that hope that cuts through all of this messiness, there's still hope that we can fix it and we can do better.

Memory itself is a concept of impermanence: it constantly corrupts, evolves and adapts, and my design processes represent this.

I've always had this story in my heart. I left the refugee camp when I was five years old, and I just remember glimpses of things that happened at the camp that stayed with me. And one of those memories that stayed with me was when we left the camp on departure day. I witnessed how much my siblings struggled with leaving camp because of the relationships and friendships that they built, how loved they were loved by their friends, and how that love was reciprocated