Yearly Archives: 2014

Tháng Tư Đen/Black April

Trong bài này, Tổng Biên Tập của diaCRITICS Nguyễn Thanh Việt bàn về ý nghĩa của “Tháng Tư Đen”, hoặc chữ mà người miền...

Dao Strom: From the Other Shore

Dao Strom reflects on her experience of celebrating "Black April" in Vietnam on April 30th for the first time since she left in 1975. A...

Thuy Linh: 90’s Movies: More Gourmet Than ‘Instant Noodles’

  Thuy Linh gives us an in-depth review about how Southern Vietnamese films now do not compare to the 90's era of 'instant noodles'. Have you subscribed to...

June 2014 News and Events

What happened in June 2014: news and events relating to Vietnamese at home and in the diaspora.It’s time for our second subscriber drive. We’re...

Thuy Linh: Good Music, Romance: Courtesy of a Southern Film Tradition

In Thuy Linh's most recent post in her column, she highlights the use of music and romance in Southern films in the pre-1975 era...

A Review of Pages from the Textbook of Alternate History by Phong Nguyen

Eric Nguyen reviews Pages from the Textbook of Alternate History by Phong Nguyen. In his newest book, Phong Nguyen reimagines history as we know it by...

Top Five Most Critical of May 2014

IT’S HERE! THE TOP FIVE MOST READ POSTS OF MAY ON DIACRITICS! READ YOUR FAVORITES AGAIN OR DISCOVER SOMETHING YOU’VE OVERLOOKED. SO, STAY TUNED TO...

Ngoc Linh: A Warm Silence: Coming Out to Mom

Coming out is a difficult, but often liberating process. Queer people of color, however, are challenged with navigating between their sexual orientation and their...

Khanh Ho Reviews As the Heart Bones Break

Audrey Chin's latest novel, As the Heart Bones Break, follows the life of a South Vietnamese man and his family over the last sixty  years. Khanh...

Natalie Porter Reviews Saigon’s Edge: On the Margins of Ho Chi Minh City

Exploring how the production of symbolic and material space intersects with Vietnamese concepts of social space, rural-urban relations, and notions of “inside” and “outside,” Erik Harms’ Saigon’s Edge: On the Margins of Ho Chi Minh City presents a fresh perspective on experiences at edge of urbanization.